SERVICES
- ENTERTAINMENT LAW
 |
Entertainment
Law
counseling
singers
musicians
songwriters
record
producers
|
SO YOU WANT TO BE A SONGWRITER?
COPYRIGHT Q & A's |
QUESTIONS:
|
ANSWERS : |
If I write a song, when and how to I get copyright protection? |
|
What if I am one of two or more writers of a song, who has the copyright? |
The authors of a joint work are co-owners of the copyright unless there is an agreement to the contrary. |
What if I was hired to write a song as part of the soundtrack of a movie or the score of a musical play? |
Generally, the employer is the copyright owner of a work made for hire |
If I write a song and someone buys my manuscript after the fact, does my copyright automatically transfer to the buyer? |
Transfer of a material object that embodies a copyright protected work does not automatically convey copyright in the work itself. |
I dance and choreograph dance routines.
Can I get a copyright for my choreography? |
Choreography is not copyrightable unless and until it has been notated or recorded. |
Can I copyright the name of my band or singing groups name? |
Names, titles and slogans, like ideas, concepts and principles are not copyrightable |
What is meant by the term A publication? |
Publication is the distribution of copies or recordings of a work to the public by sale, rental, lease or loan. |
Must I place a copyright notice on my work in order to secure copyright protection? |
Since March 1, 1989, use of a copyright notice on published works has been optional, though it is generally a good idea |
Can I sell or lease the right to publish or perform my copyright protected song to more than one performer or publisher? |
Yes. A transfer of copyrights is not exclusive unless exclusivity is specified in a writing signed by the copyright owner. |
| |
|
|
BREAK
A LEG”
SOME
COMMON THEATRICAL TERMS
|
| APC |
Approved Production Contract |
Broadway Production |
A production staged in the Broadway district of New York City in a theater which seats 500 or more people |
| Dramatization Rights Agreement |
An agreement which gives a producer or an author the right to create and stage a play based on another work |
| Gross Weekly Box Office Receipts |
The gross proceeds of sales of tickets, less all taxes imposed upon admissions, any fees or commissions paid in connection with theater parties, group sales, or benefits and fees paid to credit card organizations and automated ticket distribution or remote box offices |
| Merger |
The circumstances under which all dramatic and musical rights in the play become a unified whole for the purpose of performance and for the disposition of audiovisual, merchandizing and other subsidiary rights |
Off-Broadway Production |
A New York City Production staged in a theater which seats between 99 and 499 persons |
Production Contract |
The agreement between the producer and the author whereby the author grants to the producer the right to present live state productions of the play |
| Recoupment |
The point at which aggregate operating profits exceed production expenses |
| Subsidiary Rights |
Rights in the play controlled by the author such as audiovisual rights and, after the expiration of the producer's production rights, live stage production rights |
|
|
OUR CLIENTS SAY IT
BEST!
What the insurance company was offering wasn't even enough to pay my medical bills. Bradley Thomas got my bills paid, my lost wages covered and there was even money left over for my family, just in time for
Christmas!
Barbara T., Forestville, MD
A friend recommended Mr. Thomas to me. I'm glad she did. He kept fighting for me when I was almost ready to give up myself and he got
results.
Cheryl D., Washington, DC
When you're in a fight, you want to know that somebody's got your back
who's going to hang in there when the going gets rough. That's what you get with Bradley Thomas as your lawyer.
I'm telling everybody I know, if you're looking for a good lawyer, stop looking and call the Law Offices of Bradley Ashton
Thomas.
Michael R., Oxon Hill, MD
My seven year old son and I were both injured in the same auto accident. Mr. Thomas handled both our cases with determination and professionalism. All expenses were covered and there was money to put away to start on that college
fund.
Karen A., Germantown, MD
When I first heard the commercials on WYCB radio, I was skeptical, but something told me to call anyway and
I'm glad I did. Since I was confined to my house at the time, Mr. Thomas came to me. The first time I actually visited his office was the day I came to sign the settlement papers and collect my money. What service!
James W., Washington, DC
I knew Attorney Thomas was a fighter on social justice issues, like racial profiling and police brutality, from hearing him speak on the Joe Madison show. Now I know, first hand, that he fights just as hard for the rights of injured people; at least he did in my
case.
Desiree L., Arlington, VA |
|
|
|